Tina Jenkins Wins Threadneedle Prize 2014
Monday, 9 September 2019
art,
art competition,
artists,
exhibition,
mall galleries,
painting,
prizes,
prizewinners,
selected artists,
Threadneedle Prize
Edit
 |
| Winner of the Threadneedle Prize 2014 Tina Jenkins amongst her paradigm "Bed Head" Gloss pigment as well as acrylic on plastic sheeting 170 x 170 x 8cm £3,950 (sold) |
Tina wins a £20,000 cash prize as well as a solo demo to live held at the Mall Galleries inwards 2015. She's also sold her winning paradigm "Bed Head"
I was sat correct side past times side to her all the agency through dinner as well as I tin honestly tell she was 1 really surprised lady when the prize was announced.
 |
| Tina Jenkins receives her award |
 |
| Tina Jenkins amongst the really heavy Threadneedle Prize 2014! |
It's worth repeating her disputation well-nigh her human relationship amongst paradigm as well as her analysis of its do on her Saatchi website
Who is painting? And why does it holler so? How does it operate? And who hears its call? Something hangs betwixt us on the exterior of painting, some affair that is both of paradigm as well as beyond it. It hangs inwards the interval betwixt all that it is as well as all that it is not, betwixt the finite as well as the infinite as well as emerges from the already determined historical context of paradigm that ever prefigures itself. This is the champaign of written report of wishing that emerges from past times incarnations, is situated inwards the acquaint as well as continually opens out onto an elsewhere. This something, this subjectivity wishing or excess is non a universal given. It manifests as well as situates itself at the site of each as well as every paradigm anew. Gesture, medium, back upward as well as tools are all protagonists here; at that spot is no singular truth to live defined solely a multitude of convoluted relationships inwards continuous motion. Navigating this painterly terrain has larn an increasingly complex procedure every bit paradigm continues to construction as well as critique itself around that which is already inscribed inwards its nous as well as even as well as so continues to wishing that which has even as well as so to live defined. It is this contradiction inside the house of paradigm that interests me as well as drives my do forward. The subjective infinite that sits betwixt the stability of these traditional conceptualizations of paradigm as well as the increasingly hysterical acts that it activates through the gestural inwards company to hold to affirm itself mobilizes a relentlessly affirmative force-of-thought. By re- conceptualizing electrical flow as well as historical thinking around the champaign of written report of hysteria as well as paradigm as well as re-considering the implications of grade making as well as gestural determinations inside that discourse I promise through my do to brand some kind of analysis of paintings electrical flow status past times questioning paintings symbolic title. Lacan identifies hysteria amongst neurosis. It refers to the gap betwixt the subjects’ straight psychological identity as well as its symbolic championship that is ever historically determined. Henri Bergson’s ideas around intuition every bit a productive forcefulness that occurs solely when the acquaint is approached through traditional methods that inwards reproduction exhaust themselves as well as are thus unable to acquaint novel concepts of representation is fundamental here. Through emergent as well as imprecise motions intuition acts past times negating the former as well as resisting the temptations to empathise the novel inwards price of the linguistic communication as well as concepts of the old. Philosophy, for Bergson, does non consist inwards choosing betwixt concepts as well as inwards taking sides. These concepts as well as positions number from the normal or habitual agency our tidings works. Intuition thus is experiential. Bergsonian intuition consists of entering into the thing, rather than going around it from the outside, a seizing of the self from within. This is the infinite I pigment in.
 |
| The Threadneedle Prize Awards Dinner 2014 |
0 Response to "Tina Jenkins Wins Threadneedle Prize 2014"
Post a Comment